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Kelli Deeth’s Interview with Anakana Schofield
Kelli Deeth interviews Anakana Schofield, author of Malarky (Biblioasis, 2012). 1. What were your first images or intimations of Philomena? My first whiff of Philomena (Our Woman) came in a short story years before I commenced Malarky – she was a voice, much older and much crankier than Our Woman, though similarly confused about her…
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On Goldstein’s Novels of Ideas: George Eliot’s Middlemarch
This piece continues a series of reviews highlighting highlighting philosopher-novelist Rebecca Newberger Goldstein’s list of the best “novels of ideas”. George Eliot’s Middlemarch was the second entry on her list. Reviewed in this essay: Middlemarch, George Eliot. Penguin Classics, 2002 (Originally published: 1871-1872 (with the first single volume set appearing in 1874 and further revisions…
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Bookishness: September 24, 2012
Milk, spinach, books Loblaws will be carrying the titles shortlisted for the Hilary Weston Writers’ Trust Prize for Non-fiction (finalists will be announced tomorrow). Speak Celebrity A blog for those who “enjoy… poetry more when it’s slightly tainted with fame, glitz, and glamour.” The artless dodger OCAD responds to student criticism over blank-paged art history…
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A look inside the best basketball team ever: Jack McCallum’s Dream Team
Reviewed in this essay: Dream Team by Jack McCallum. Ballantine Books, 2012. The Dream Team is one of the most iconic teams in sports history. It was packed with household names like Magic Johnson, Larry Bird and Charles Barkley, not to mention Michael Jeffrey Jordan: the centerpiece of the team and just maybe the most…
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All Men Are Liars by Alberto Manguel
Reviewed in this essay: All Men Are Liars by Alberto Manguel. Translated by Miranda France. Penguin, 2012. Continuing the perspectivist tradition of Wallace Stevens’s “13 Ways of Looking at a Blackbird” and William Faulkner’s four ways of looking at the Compsons, essayist and novelist Alberto Manguel gives readers five ways of looking at an enigmatic…
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Bookishness: September 17, 2012
Two dots The New Yorker was temporarily banned from Facebook due to Female Nipple Bulges (FNB). Jay is for Just beautiful typographic birdhouses. Meet with the Writer in Residence at TPL Toronto Public Library will be accepting submissions from literary fiction writers until September 29 for meetings with Writer in Residence Farzana Doctor. Hindsight “Not interested in…
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The Wit and Wisdom of Misha Glouberman
Reviewed in this essay: The Chairs Are Where the People Go by Misha Glouberman and Sheila Heti. Faber and Faber, 2011. You can tell the publishers weren’t quite sure what to do with Misha Glouberman and Sheila Heti’s book The Chairs Are Where the People Go because the explanatory subtitle, “How to Live, Work, and…
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The Nightmare: On Life is About Losing Everything
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Bookishness: Week of September 10, 2012
An open letter to Wikipedia “Dear Wikipedia, I am Philip Roth.” (Feed-)killer robots In a fittingly sci-fi worthy turn, digital restriction management (DRM) robots, on the hunt for copyrighted material on the web, killed the feed broadcasting this year’s Hugo Awards when the ceremony broadcast clips from winning television shows (totally legally). An aside: Montreal-based writer…
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John Meisel’s Life of Learning
Reviewed in this essay: John Meisel, A Life of Learning and Other Pleasures: John Meisel’s Tale. Yarker ON: Wintergreen Studios Press, 2012, 403 pp. Illus. Forward by Janice Gross Stein. Born in Vienna in 1923, Czech, Jewish, and afflicted with chronic osteomyelitis, John Meisel managed to escape the horrors of Nazi Europe because his father…
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CanLit Canon Review #8: Sinclair Ross’s As For Me and My House
In an attempt to make himself a better Canadian, Craig MacBride is reading and reviewing the books that shaped this country. As For Me and My House, published in 1941, is a beautifully moody novel about weather and a terrible marriage. The book is written as a series of diary entries over 13 months during…
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On the Canadian National Exhibition: Looking Back and Looking Ahead
This is the fifth and final piece in a series of reports from the 2012 Canadian National Exhibition. In my first report from this year’s CNE, I quoted Vincent Massey’s opinion from 1952 that the CNE tells the story of Canadian achievement more graphically than any book, and I expressed some puzzlement about what kind…