Forging Connections at the Toronto Comic Arts Festival

Roamers.The Toronto Comic Arts Festival (2013) was not your average convention. People weren’t dressed in carefully considered costumes or walking around in character stockpiling freebies indiscriminately. Set in the Toronto Reference Library over the second weekend of May, the intimate space lent itself to discovery and spontaneous conversation more than sweaty-palmed, star struck fervor. TCAF opened its doors to the simply curious and the comic-obsessed with equal grace, focusing attention on creators and their work.

Caitlin Cass, holding The Text, her latest Postal Constituent offering about “the anxiety people feel about language and its unbreakable authority over us all.”
Caitlin Cass, holding The Text, her latest Postal Constituent offering, about “the anxiety people feel about language and its unbreakable authority over us all.”

Caitlin Cass, an artist based in Buffalo, NY, is the founder of Great Moments in Western Civilization, a cooperative dedicated to picking and blending stories from history. Her work draws on influences from Heraclitus to Paddington Bear in a poetic attempt to fit the whole world into one craggy group picture.

 

 

 

 

 

 

Moses with authors Lauren Barnett (Me Likes You Very Much) and Pat Aulisio (Bowman 2016).
Moses, left, with authors Lauren Barnett (Me Likes You Very Much) and Pat Aulisio (Bowman 2016).

Matt Moses, head of New Jersey’s Hic & Hoc Publications, said, “TCAF is the best in my mind. It’s much warmer, and more welcoming, and so much better organized than most conventions.”And no, he’s not just being nice. As a home for alternative artists who eschew mainstream taxonomies, H & H is akin to illustrated Bizarro Fiction.

 

 

 

 

Chester Brown, The Playboy.
Chester Brown with The Playboy.

Chester Brown promoted an expanded version of The Playboy (Drawn and Quarterly), a nostalgic and curious treatment of his obsession with Playmates and self-pleasure that was first published in 1992. A believer in the idea of looking back as a way of moving forward, Brown said of his use of autobiography, “I was inspired by my friend Joe Matt’s honesty and openness about his life in his comics.” Then, he flipped one open (Matt’s Peepshow #1) and, with a warm and wistful smile, pointed himself out drawn on the page. “Of course, this is when I had more hair,” Brown added.

 

This year’s Toronto Comic Arts Festival showed how the unlimited social circle is the fastest way to becoming yourself. From the small presses happy to have tables, to the centrally located major players digging through boxes of money to make change, everyone’s fictions were courageously laid bare for the sake of forging new connections where none existed before.

 

About the author

Trevor Abes

Trevor Abes @TrevorAbes is a writer and editor from Toronto, ON. His work has appeared in The Toronto Quarterly, blue skies poetry, and The Montreal Review. He keeps an eponymous blog that houses mostly poetry.

By Trevor Abes